Editorial
Section One: Premises
“An Idealist”: The Legacy of Edward Gordon Craig’s Formative Productions, 1900-1903
James Fisher
Ideational Conflict and Resolution in the Design Process
Harry Feiner
Section Two: Making History
Regarding the Eidophusikon: Spectacle, Scenography, and Culture in Eighteenth Century England
David Kornhaber
The Phallic Swan Lake: Symbolism and Semiotics in Contemporary Productions of Romantic Story Ballets
Thomas Hecht
Section Three: Scenography and the Director
Old Country – New World: Note for Martinů’s The Marriage
Pamela Howard
The Director, the Scenographers, and the Issue of Theatrical Energy
August W. Staub
Controversy and Clues: Recovering and Recreating Graeco-Roman Scenography
Judith Maitland