Editorial Introductory Remarks: Scenography Studies and Scenography Research
Section One: Premises
Dani Karavan’s Set Designs, 1960-1983
Shimon Lev Ari
Section Two: Making History
Manifesting the Miraculous: Tomaso Francini’s Scenic Innovations for the Ballet de Cour
Thomas Fish
Section Three: Scenography and the Director
Giorgio Strehler’s Visual Passage through Faust
Donald McManus
Books of Interest
In Memoriam: Shimon Lev Ari